Independant Pictures
From the iris to the lens, just a tie of light.
110 min | 2019
Timelife is a lifeline, an umbilical cord linking faces to their dreams and questions
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86 min | 2016
Over 16 years the camera was on the lookout for a femininity in search of itself
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90 min | 2016
Travelling is not just approaching a destination, but the dream you put in your luggage
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52 min | 2012
Being a revolutionary does not always mean to carry a kalachnikov, but to witness his-story
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52 min | 2011
To actually know something, you need to experience it. A cookbook will not fill you up
4 min | 2014
Marcel Khalife's wife sings Henna from her 2nd album
6 min | 2012
Abir sings Hedi Guella's Babour Zammar, the video is a gift and a tribute to Tunisian people
2 min | 2021
Portrait of the Ukrainian actress during the Festival de Cannes 2021
2 min | 2016
A school pays tribute to WWII Canadian aviator Gilbert Boulanger
12 min | 2016
Between two bodies, an absence.
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11 min | 2014
Once upon a time, there was a ToadCat
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project
"I was born with Hitler's capitulation, on November 10th, 1945"
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75 min | 2007
Nicolas Alquin, Amarante Ehrenhalt, Pierre Zucchelli, Marie-Helene Durand-Laudet, Nicolas Simon...
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Hamid Benamra, a film director born in Algeria and who moved to France, makes films that know no borders.
They deal with Algerian subjects embodied by select personalities treated with a high-level artistic style and great aspirations that make them clearly different from the rest of Arab films inside and outside the Arab world.
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NUNFILM pictures have toured the world, competing in festivals and stretching the limits of the art of making films.
The press recognize the frame acuracy, an editing of genious and an endless talent.
Film Director, DoP, Author
since 1981
Film Analyst for Aljazeera
since 2014
5 Dan Shotokan Karate
since 1970
Actress, Director, Producer
since 2007
Sail trip aroud the world
1991-1995
Grenoble Ecole de Management
Baccalaureate at 16
Hamid Benamra started writing for ALJAZEERA in 2014.
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December 31, 2020
Raphael Confiant
writes the History of the Caribbean
December 16, 2020
Jimmy Jean-Louis,
from Haiti to Hollywood
November 30, 2020
Moussa Toure,
Is Slavery abolished?
November 18, 2020
Ziad Hamza,
I don't want to use Syrian suffering in my films
October 19, 2020
La DorMeuse du Val
spoofing reality without making a mockery of it
September 23, 2020
Mulan
How Cinema replaces History
September 01, 2020
Louis Le Prince,
the father of cinematography who vanished in a train
August 17, 2020
Women's Day,
Russian women who left their marks on History
July 17, 2020
Mohamed Nadif,
4 Tunisian women in a mental institution
March 9, 2020
Racism among the Tunisian society
December 31, 2019
Med Hondo,
a Masked Voice
Al Khabar
November 30, 2019
Joker, a film that bets on the Poker winning card
November 18, 2019
Adnan Madanat,
Tales of violent nights between documentary and fiction
October 27, 2019
Kirill Razlogov,
History and Cinema
July 19, 2019
The screen does not lie,
Questionning the "Auteur theory"
July 24, 2015
The last nomadic people between Algeria and Tunisia
January 16, 2015
"The lullaby of the roses" against Oil
July 7, 2015
Ramallah's Maradona... a Call to Siege your Besiege
June 14, 2015
A decent life despite the mishaps
May 23, 2015
When cinema doesn't handle tragedy well
April 12, 2015
The frame is a multi-dimensional window
March 4, 2015
Against death : the epic of women in sari
February 9, 2015
Never Die as a Refugee.. Emotion and Supplication
January 13, 2015
Burqiba's lock down.. The executioner preys on himself
December 12, 2015
Is film editing an art of inspiration or just subject and predicate?
January 13, 2015
A bereaved woman between Gaza and the West bank
September 10, 2014
The Lens has
a Memory Too
To take a picture or to make a picture?
You do not capture an instant but you make the instant eternal.
To expose yourself in front of a camera is an act of confidence.
You let your ego be stripped down. It is a deeply audacious act.
website designed & developed by Stephanie Benamra
